Being disappeared - Disappeared Hong Kong Art (3)
Fibreglass, cement, paint on wood and metal | Dimension variable | 2013
Disappeared Hong Kong Art (3) is a set of large fiberglass Chinese bowls that have been sawed apart.
The bowls were originally part of a public installation in Hong Kong featuring a group of local artists. Due to a disagreement on the opening day between the venue and organizers of the project, the exhibition lasted a mere 24 hours, after which it was quickly dismantled. The abrupt and sudden breakdown in communication had a profound impact on Lam. As he witnessed firsthand the dramatic unfolding of events, he was struck by the uncompromising stances of the two sides; and yet, being able to empathize with the opposing viewpoints of each side, he became immediately aware of the conflicting views that existed within himself.
The work was eventually returned to the artist’s studio, and Lam decided to cut the large bowls into pieces, incorporating them into the Disappeared Hong Kong Art series that he was developing at the time, writing: “art is changed, when the situation has changed.”
The artist stored this “disappeared” piece in Kwai Tsing Container Terminals, Hong Kong for three and a half years, until it was exhibited in 2017.
《消失的香港藝術(三)》是一組被鋸碎的玻璃鋼材質的大碗。藝術家早年參與香港一條農村的改造過程,將經驗化成創作,並以碗的造形作為載體,承載城鄉生活共存的理念。
作品原本計劃於一次公共藝術羣展展出。但是開幕當天由於項目負責人與場館方面產生的分歧,導致展覽在未開放公眾參觀前剎停,作品在公共空間的圍欄內存放了24小時之後撤展。這次出人意料的溝通崩潰對林東鵬產生了很大的影響。他親眼目睹了整個事件戲劇化的經過,一方面對雙方各不相讓的態度感到驚訝,但另一方面又體會到他們各自雙方的苦衷,這令他直接感受到內心世界裡存在的各種矛盾。
作品最後運回藝術家工作室,林東鵬決定將大碗割成碎片,納入他當時正在發展的《消失的香港藝術》系列,並寫下:當處境改變,藝術也被改變。
藝術家將這件「被消失」的作品存放在香港的貨櫃碼頭三年半,至二零一七年展出。
(below) Installation views at Bi-City Biennale of Urbanism/Architecture | December 15, 2017 - March 15, 2018 | Shenzhen, China